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標本系列
此系列作品是《蝴蝶王國》的延伸之作，將原本圖鑑的平面形式，拓展至立體的標本樣式，以各個時期的台灣地圖做為翅膀的外形，以傳統的船艦、飛機、火箭、槍砲，甚至是各種可顯示權力、武力的物件或象徵物為蝴蝶身軀，運用標本取樣的方式，截取報章雜誌上的圖片、文字、符號為翅膀的美麗外衣，暗指人們總被表面資訊所吸引而不究內涵，並藉此突顯台灣現今社會環境的種種面向。
孔方兄系列
版圖系列
印象系列
枕頭計畫-囈語
枕頭計畫Project Pillow
展期：01/21-03/02 ，
關渡美術館4F、5F，傳統藝術創意資源中心
運用報紙紙漿壓模翻製，表面印上或製造如浮水印般的注音符號，結合紙漿立體造型構成；紙漿中殘留報紙的碎片，暗喻目前台灣媒體、社會、教育等，猶如囈語般地迷濛不清之狀態。
中心枕頭運用台灣特有的ㄅㄆㄇ注音符號為元素，用立體發泡方式，讓符號浮凸於作品上做不規則的排列，製造出讓人面對熟識的音符卻拼不出其發音的模糊感，猶如聽到枕邊斷續殘缺的夢話。那些我們曾在枕上無意識傾吐出的聲音，代表我們內心想被理解卻害怕被視穿的夢魘，令聽聞的對象感到囈語般地困惑不解，卻又有種兒語的趣味。
Press molding, using newspaper pulp, to print or produce the watermark like Chinese Phonetic symbols on the surface, and combine with flashing light . The newspaper debris residue in the pulp implies the unclear status of Taiwan’s media, society and education.
It uses Taiwan’s unique ㄅㄆㄇ(Bo, Po, Mo) phonetic symbols as the elements, with the three-dimensional foaming method to allow the symbols as relief on the work with irregular lining. It creates a fuzzy sense of seeing the familiar symbols but not being able to pronounce them, just like incomplete sleep talking. The voices that we used when we were unconscious represent the nightmares that we want to be understood but are also afraid to be seen through; it makes the person who listens to it feel confused but also sense the fun in children’s language.
展期：01/21-03/02 ，
關渡美術館4F、5F，傳統藝術創意資源中心
運用報紙紙漿壓模翻製，表面印上或製造如浮水印般的注音符號，結合紙漿立體造型構成；紙漿中殘留報紙的碎片，暗喻目前台灣媒體、社會、教育等，猶如囈語般地迷濛不清之狀態。
中心枕頭運用台灣特有的ㄅㄆㄇ注音符號為元素，用立體發泡方式，讓符號浮凸於作品上做不規則的排列，製造出讓人面對熟識的音符卻拼不出其發音的模糊感，猶如聽到枕邊斷續殘缺的夢話。那些我們曾在枕上無意識傾吐出的聲音，代表我們內心想被理解卻害怕被視穿的夢魘，令聽聞的對象感到囈語般地困惑不解，卻又有種兒語的趣味。
Press molding, using newspaper pulp, to print or produce the watermark like Chinese Phonetic symbols on the surface, and combine with flashing light . The newspaper debris residue in the pulp implies the unclear status of Taiwan’s media, society and education.
It uses Taiwan’s unique ㄅㄆㄇ(Bo, Po, Mo) phonetic symbols as the elements, with the three-dimensional foaming method to allow the symbols as relief on the work with irregular lining. It creates a fuzzy sense of seeing the familiar symbols but not being able to pronounce them, just like incomplete sleep talking. The voices that we used when we were unconscious represent the nightmares that we want to be understood but are also afraid to be seen through; it makes the person who listens to it feel confused but also sense the fun in children’s language.
器型系列
藏書票與迷你版畫
複合媒材
1997-2001
版印年畫
公共藝術
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